interactive, annotated Bartleby on Slate

Pretty cool version of Bartleby edited by a Slate writer, Andrew Kahn, last year. It’s richly illustrated and contains a wide range of notes that provide historical context and a sense of some of the diversity of critical opinions on the text over the years since its publication. And there’s even an audiobook version on the site for good measure.

As such, it also points towards our second collaborative project together, in which we’ll be doing something similar (though with much lower production values!) with Benito Cereno, so as you check it out, think about what Kahn did to make this work. Or not.

quick follow-up on hypothes.is + evaluation

I just wanted to sum up our quick discussion about using hypothes.is for annotating our readings in the course and to say a quick word about evaluation. First, nuts and bolts:

If you are using your own machine:

  • download the Chrome browser (if you don’t already have it) and the Chrome extension for hypothes.is
  • navigate to a text you want to annotate
  • click the hypothes.is icon in the extensions area of the browser window

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  • the tools will pop up on the right-hand side of the window and you’re up and going

If you are not using your machine or are a die-hard Firefox/etc. person:

  • first try dragging the hypothes.is bookmarklet to the bookmark bar
  • if the browser you’re using will permit you to do this, navigate to a page you want to annotate and then click the applet icon in the bookmark bar, and you’re good: if it worked, you’ll see the tools on the right-hand side

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  • if the browser won’t let you, navigate to hypothes.is and enter the URL of the page you want to annotate into the appropriate cell

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  • on some occasions (say, if you’re accessing something via the library proxy), this won’t work, and you’ll get stuck in a redirect loop and time out

Bottom line: if you save the annotating work for the course for times you’re with your own computer, you’ll never have problems. If you can’t, you still should be just fine most of the time.

In terms of evaluation, I view your annotating much the way I view your participation: I think it’s important and value it highly (15% of your grade in each case); I care about both quantity and quality of both; I don’t want to force you to do either according to a reductive template to earn a grade for both. So be active in annotating texts, just as you are in participating in class. At the end, you will have a substantial body of work for me to evaluate (and I can see your whole output very easily in hypothes.is, unlike your class participation!). I don’t expect you to be profound all the time; I just want to see your reading/thinking process spontaneously at work. Added bonus: those of you who are naturally shy or retiring in class can use the distinctive privacy of cyber-annotations to step out a bit more!

Why Blog? What makes for a good post?

A central feature of this course will be the writing we do on this site. In what follows, I will outline three things:

  • a rationale for why I ask you to blog in the first place, rather than write traditional essays
  • a quick primer on how to create your first post
  • a simple rubric to guide your writing + an example of a good-looking post

First things first: why blog?

  1. Blogging is sharable: rather than have a private circuit between you and me, we have a much more dynamic conversation across the entire class.

  2. Blogging is public, sort of: I like the idea that we are responsible for our ideas in front of broader audiences. In practical terms, I doubt anyone is listening in most of the time, but I think it’s important that we roll up our sleeves and defend our arguments in an open and public forum as often as possible. And of course, you can show your family/friends/pets what we’ve been up to in class. For those who have reservations about privacy, note that a) you can only be identified via firstname+last initial, so you have relative privacy beyond our class; and b) you are free to delete your posts at the end of class. If anyone has serious reservations despite all this, feel free to contact me.

  3. Blogging is sturdy: rather than forget the piece of paper once it’s been handed back, we can link back to prior statements or observations, or to each others’. If you like, you can leave your posts up for future 399ers to see.

  4. Blogging is responsive: rather than only getting comments from me, you’ll comment on and get comments on each other’s work.

So how do you post? Once you get enrolled as an “author” on the site, it’s really easy. Here’s a step-by-step with screen shots from Evan Cordulack at William and Mary. I’ll also note that WordPress gives you several other ways to initiate a post, so feel free to explore the dashboard and find your own best way.

 

What makes for an excellent post? For this class, posts should:

  • contain at least 500 words (use word count in WordPress or your word processor)
  • explain a given text’s argument (for secondary readings) or analyze its form and themes (for primary readings by Melville), using quotations and paraphrases of the text with page numbers in parentheses
  • engage a text critically, noting its limitations, its links to other texts we’ve read, its unstated assumptions, etc.

Here’s a simple rubric, adapted from Mark Sample, that I will use to evaluate your work (see how the academic blogosphere encourages sharing and exchange? I told you so!):

Rating Characteristics
4 Exceptional. The post is focused and coherently integrates examples with explanations or analysis. It moves beyond summary to engage the text critically, articulating weak points or dubious assumptions (for secondary texts) or giving a sharp, original close reading (for primary texts). It makes useful connections to other texts and raises novel questions.
3 Satisfactory. The post is reasonably focused, and explanations or analysis are mostly based on examples or other evidence. It provides a compelling summary of an argument (or dutiful reading of primary text) but fails to engage the argument/text more than glancingly. The entry reflects moderate engagement with the topic and/or rehashes what was said in class.
2 Underdeveloped. The post is restricted to summary, without consideration of alternative perspectives, and may contain misreadings of the argument at one or more points. The entry reflects passing engagement with the topic.
1 Limited. The journal entry is unfocused, or simply rehashes others’ comments; it fails to grasp fundamental aspects of the argument.
0 No Credit. The journal entry is missing or consists of one or two disconnected sentences.

Last but not least, here’s an example of a good-looking post. I’ve linked to it in a Word doc so you can see some marginal comments that explain why it’s good. And remember: it’s not an exercise in cookie-cutting: your results may vary, and there are lots of ways to write an excellent post.

 

Questions on Berube et al., “Community Reading and Social Imagination”

  1. What did the authors learn from the experiment in collective reading of Colston Whitehead’s novel with readers who have no relationship to the “ivory tower”?
  2. What does the article say about the common lament that the Internet (or whatever) is killing serious reading, that the novel is dead, etc.?
  3. What are some of the social antagonisms that the concept of “serious” books or “serious” modes of reading conjures up? Who or what gets relegated to the realm of the “unserious”? What do the authors think about these divisions?
  4. What did “community reading” look like in the past? What are some of the spaces in which reading happened, and what surprised you about the authors’ account of these spaces?
  5. What’s special about convening around literature as opposed to (say) sports or politics or shopping? What does reading “literature” together teach us? What kinds of desires does it instill in us, according to this argument?

Melville lives!

Since we’ll start discussing Melville’s work next week, I thought I’d mention two Melvillian manifestations in culture today. First, the excellent publisher Melville House, a scrappy outfit that publishes an amazing list and has had the courage to tell Amazon to go %$#^ itself. If that wasn’t enough, well looky here:

Totebag-450x456

Some of you will get this on the way home, as it were, but trust me: it’s pretty funny.

Second, enterprising academics have created a (decidedly adult) game out of the text of Moby Dick. Especially interesting looking forward to our “playing” Billy Budd via the Ivanhoe WordPress theme in a couple of months.

What is DH?

As you may have noted, one of the hallmarks of “digital humanities” is that it expends a lot of energy trying to figure out what exactly it is. Is it a new discipline, emerging the way English emerged in the mid-19th century as a subject of serious academic inquiry? Is it a diffuse movement within academia, advocating for free and open access to scholarly and pedagogical materials and a democratization of the highly hierarchical structures of the academy? Is it an intrusion of STEM (science, technology, engineering, and math) into the humanities, replacing traditional humanistic methods with those of the hard sciences and technical fields?

One of my favorite ways to answer this question (besides the two pieces we’re reading for tomorrow) is the wonderful site created by Jason Heppler that displays random answers to the question “What is Digital Humanities?” compiled from answers generated by the annual “Day of DH” event from 2009-2014. Every time you refresh the site, you get a new response, and the net effect is of diversity, egalitarianism, and innovation (since the site itself is an example of what it’s talking about). So go ahead: let 1,000 answers bloom.

annotating readings with hypothes.is

As I mentioned briefly in class, we’ll be using hypothes.is frequently to share our thoughts and reflections on course readings. I’ve left a few annotations on the two readings we’re discussing on Tuesday. This is optional–and we’ll do an annotation exercise in the ICIT lab on Friday for those who need more help–but if you can figure out how to sign up and use the platform, feel free to read my comments and make your own. We will use the tag <allred399> on the platform so we can filter out our own discussions separate from those of the free world: kind of like a hashtag on Twitter or Instagram.

A couple of ways to get your feet wet: a) the tutorials page and b) the FAQ sheet.

Questions on M. Kirschenbaum, “What is Digital Humanities, and What is it Doing in English Departments?”

  1. What is DH? How does Kirschenbaum go about seeking answers to this knotty question?
  2. Why do Twitter and DH go together like peanut butter and jelly? What does Kirschenbaum say about the relationship between the way discourse unfolds on Twitter and the way DH is organized as a field?
  3. What is DH doing in English departments? Do you find this argument convincing?
  4. How does Kirschenbaum end the essay? How does his own definition of DH compare to the others he examines early in the essay?